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The Unseen Shadows of Pompeii

Inspired by Edward Bulwer Lytton's novel: The Last Days of Pompeii

In the bustling city of Pompeii, the chatter of the market, the laughter of children playing, and the clatter of chariots were regular sounds. Among the city's denizens was a young artist named Fortunatus, was gifted with a vision beyond the ordinary. His art was his world, and the world was his canvas.

On one fateful day, Fortunatus noticed a strange shadow on the city walls, a shadow that no others saw. To the ordinary eye, they were mere outlines of nothingness. To him, they were messages from the Gods. He witnessed the shadows change, evolving into monstrous demons, desperate to break free from the walls.

Intrigued by this peculiar phenomenon, Fortunatus, with his chisel and hammer, began to carve the terrifying forms onto the walls. Word quickly spread of this innovative artist who transformed shadows into haunting art. The city's inhabitants gathered to admire his work, while some dismissed him as a madman.

However, Fortunatus was not fazed. He was too engrossed in his world of shadows, ignoring the laughter, the ridicule, the admiring glances all alike. He saw the people of Pompeii, not as they were but as shadows cast by their soul. To him, they were characters in a story dictated by shadows.

His fixation with shadows gained him an audience with the city's high priest, Calenus. Undeterred by the priest's grim demeanor, Fortunatus revealed his vision, expecting understanding. However, Calenus, fearful and superstitious, considered him a heretic, a threat to the city's tranquility.

Meanwhile, the shadows on the wall were becoming increasingly monstrous, their forms no longer just terrifying, but apocalyptic. Fortunatus, compelled by a force unknown, was frantically carving the shadows onto the city walls, his heart pounding with terror and excitement. His latest work depicted a shadow of a giant, spewing fire and ash, destroying everything in its path.

On the final day, as Fortunatus finished his masterpiece, Pompeii was drowned in a deafening silence, followed by the earth shaking beneath. The sky turned dark, and the city was swallowed by a sea of fire and ash. The shadow's prophecy had come true; the Last Days of Pompeii had arrived.

After the earth calmed and the ash settled, all that remained of the bustling city were lifeless stone figures and Fortunatus' haunting depictions. His shadows had foretold their story—a warning from the Gods that went unheard.

Many years later, explorers discovered the buried city, the stone figures, and the eerily prophetic art. The story of Fortunatus, the artist who saw shadows, remains a chilling tale, a testament to the Last Days of Pompeii.